The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category 'Functional'. The cookie is used to store the user consent for the cookies in the category 'Analytics'. This cookie is set by GDPR Cookie Consent plugin. These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. Top the whole thing off with tinkling percussion and an extremely catchy chorus, and Coldplay’s first “late-night club song” is a surprising success. Her dreamlike, indistinct a cappella harmonies over the track’s introduction may be the best part of the entire song. Martin has traded in his signature falsetto in favour of a huskier range and a beautifully understated duet with featured artist Beyonce, who here acts as little more than a backup singer. The song’s origin is by now rather infamous: in an interview with the Wall Street Journal, Martin stated that he “was listening to Flo Rida or something, and I thought, it’s such a shame that Coldplay could never have one of those late-night club songs.” However, that’s exactly what the band delivers, with a song that’s somehow both dreamy and yet uncharacteristically jazzy. But somehow frontman Christ Martin manages to deliver a fresh, funky little tune which is sure to get toes tapping. The tempo is a little too upbeat, the lyrics focused on feeling “drunk and high/so high”, the verse packed with handclaps and brass sections. Hymn For The Weekend doesn’t feel like a typical Coldplay track.

Lagu coldplay hymn for the weekend